1/23/2024 0 Comments Martin d18e cobainIt features more than 200 items from Pavlovic’s personal archives – posters, graphic art, backstage photographs, fanzines, tour itineraries, setlists, handwritten letters and postcards – along with previously unseen video footage, unheard music demos and live audio recordings. Now, 30 years after that momentous Nirvana tour, the vibrant era of live music in the ’90s is being celebrated in Unpopular, an exhibition at Sydney’s Powerhouse Museum. Pavlovic went on to bring ground-breaking acts such as Beastie Boys, Sonic Youth and Pavement to Australia, set up the Summersault festival, and later launched the Modular Recordings label, exposing Australian artists such as The Avalanches, Wolfmother and Tame Impala to a global audience. Mudhoney at the Barwon Club, Geelong, Victoria, Australia, February 26, 1990. “I could then go to another agent anywhere in the world and say, ‘I just did Nirvana.’” “But doing that legitimised what I was doing,” he says. Until then, he had just been pursuing his passion. It was to be the making of Pavlovic as a promoter. “And watching it in real time, because it happened so quick … It was going nuts, I was shitting myself.” “It was definitely like, ‘Is this really happening?’” Pavlovic recalls. The record they had been working on, Nevermind, was released in September, and by the time the band touched down in Sydney in January 1992, it had just reached No.1 on the US billboard charts, ousting Michael Jackson from the top spot, and was selling 300,000 copies a week. And that record we’ve been working on is coming out in a few months, but we definitely want to stick with you.’”Ī deal was struck, and by July 1991, Pavlovic had booked the relatively unknown Seattle trio for their first Australian tour. “They’re like, ‘Oh, we’ve got a manager now. Neil WallaceĪ year later, Pavlovic called again. Kurt Cobain of Nirvana, Big Day Out, Hordern Pavilion, 1992. “‘Yeah, we’d love to, we’re busy making this record. “So I just call them up – ‘You wanna come to Australia?’” recounts Pavlovic. Having brought pioneering US grunge misfits Mudhoney to Australia’s shores for a run of small gigs in inner-city pubs, they gave him the phone numbers of their friends Chris and Kurt, who were also in a band. Elvis Presley’s 1977 Lincoln Mark V Coupe went for $62,500, Johnny Cash’s Valencia acoustic guitar signed by The Highwaymen sold for $57,600 and Noel Gallagher’s handwritten lyrics for Oasis’ 1995 album “(What’s the Story) Morning Glory?” were auctioned off for $22,400.In 1990, then 24-year-old punk rock promoter Steve Pavlovic had a serendipitous encounter. Nirvana was just one of the music icons whose items were sold at the auction. Other Nirvana items in the auction included a signed “Nevermind” poster, which sold for $56,250 the camera, negatives and signed prints from Nirvana’s 1992 Spin magazine photoshoot, which sold for $35,200 and a handful of Nirvana all-access passes, which sold for $512 each. Titled “Music Icons,” this was Julien’s Auctions’ first live in-person event since December due to the coronavirus pandemic. Included with the guitar is its original case adorned with a flyer for Poison Idea’s 1990 album “Feel the Darkness,” a half-used package of Martin guitar strings, three picks and a suede bag containing a silver spoon, fork and knife. The victorious bidder was Peter Freedman, founder of Rode Microphones, who was present at the event. On Saturday, it received three additional bids, one of which was the winning $6.01 million. Leading up to the auction, the guitar had already received four $1 million bids, according to the Julien’s Auctions website.
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